16 artists trained at Beaux-Arts de Paris with Djamel Tatah
Echoing the MO.CO. exhibition devoted to the history of the École Supérieure des Beaux-Arts de Montpellier (MO.CO. Esba), the MO.CO. Panacée proposes a reflection on a "textbook case": Djamel Tatah?s studio at the Beaux-Arts de Paris.
A teacher for fifteen years at this institution, Djamel Tatah has trained a generation of artists whose diverse practices, singular trajectories and rapid emergence on the national scene are intriguing.
Echoing the MO.CO. exhibition devoted to the history of the École Supérieure des Beaux-Arts de Montpellier (MO.CO. Esba), the MO.CO. Panacée proposes a reflection on a "textbook case": Djamel Tatah?s studio at the Beaux-Arts de Paris.
A teacher for fifteen years at this institution, Djamel Tatah has trained a generation of artists whose diverse practices, singular trajectories and rapid emergence on the national scene are intriguing.
